In the film, the Black Kaiser (Mikkelsen), the world’s most lethal hitman, uncovers a deadly conspiracy protecting a powerful syndicate of killers, and becomes their number one target.

The Kaiser Aluminum Hour is a dramatic anthology television series which was broadcast in prime time in the United States during the 1956-57 season by NBC.The Kaiser Aluminum Hour was shown on alternate Tuesday nights at 9:30 pm Eastern time in rotation with the longer-running Armstrong Circle Theatre, with the first broadcast airing on July 3, 1956 and the final one on June 18, 1957. As can be surmised from the title, the program was sponsored by the Kaiser Aluminum Company. Unlike low-budget anthology series such as Fireside Theater, The Kaiser Aluminum Hour featured many well-known Hollywood actors of the era, including Paul Newman, Ralph Bellamy, MacDonald Carey, Hume Cronyn, Robert Culp, Kim Hunter, William Shatner, Forrest Tucker, Jack Warden and Natalie Wood.

Kaiser is a short animated film, directed by the cartoonist Álvaro Marins, the Seth, in 1917. It is considered the first cartoon produced in Brazil.

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Kaiser is a short animated film, directed by the cartoonist Álvaro Marins, the Seth, in 1917. It is considered the first cartoon produced in Brazil.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987